Guided tour behind set of famous TV village
As the Belfast Telegraph teams up with the cast of Emmerdale to launch a massive one-day charity extravaganza in Northern Ireland this summer, showbiz correspondent Maureen Coleman spends a day on the set of the award-winning ITV soap
Thursday, January 10, 2008
It's only a select few who are given a private escort around the set of
Emmerdale by the show's producer Timothy Fee.
The last time he gave a guided tour of the village was in 2002 - and on that
day, his VIP guest was none other than the Queen.
Her Jubilee soap trip was marked by a spectacular pyrotechnics stunt, which
saw an explosion rip through the village post office - as various members of
the cast looked on.
On the day we visit the set of Emmerdale - a freezing cold day in the
Yorkshire Dales - there's no special effects and few signs of life in the
fictional village.
Some miles away, in the heart of Leeds, filming is under way in the
Emmerdale production centre, but on the external set, all is quiet as
Timothy shows us around.
The Emmerdale producer explains that the soap used to be shot on location in
a village in nearby Littondale, but in the late 1990s, a purpose-built set
was erected on the Harewood Estate.
While most of the internal scenes are filmed back in the production centre
in Leeds, all the external scenes are filmed here - from the cat fights
outside the Woolpack to the idle gossiping outside Viv's post office.
It's slightly surreal being on set and wandering from Mill Cottage to Tall
Trees to the village hall.
All the place names and landmarks are so familiar, one almost expects to see
Eli Dingle tumbling out of the Woolpack door.
The external set resembles a proper village, complete with a churchyard full
of headstones, the post office, the pub and Eric Pollard's antiques yard.
There's even the old red telephone box on the green, where Tricia Dingle
made her last call before meeting her untimely death when the Woolpack
collapsed in a storm.
But behind the building fronts it's a different story.
Step into the post office and it's a store room of some kind, while the
Kings' office is an Aladdin's cave of make-up. And that most famous facade
of all, the Woolpack, hides an empty shell.
Tim explains: "Most of the internal scenes are filmed back in Leeds,
with the exception of a few.
"The bed and breakfast is here, as is Eric's house, the church and the
village hall.
"But the interiors of the Dingles', Home Farm, the Woolpack, Mill
Cottage, they're all in Leeds.
"Even though we have the biggest production centre in the UK there,
we're still limited for space, so have to film some interiors here."
In the village church, I step onto Ashley's pulpit, where he delivers his
sermons each week to a handful of worshippers. And in Paddy's surgery, there
are cages of stuffed animals waiting to be treated by the cuddly vet.
But what I really want to do is serve up a pint in the world-renowned Woolie
- so we head to the production centre to see the rest of the set.
Once back in Leeds, we're met by Christopher Villiers and Georgia Slowe, who
play troubled couple Grayson and Perdy in the soap.
The pair offer to show us around and perhaps without noticing, slip into
character as they guide us from the Dingle's homely kitchen to the plush
interior of Home Farm.
"This is where Perdy's living now, since ditching me for Matthew King,
the bitch!" spits Christopher. Or should that be Grayson?
In Mill Cottage, where the couple lived together in happier times, Grayson,
sorry, Christopher, points out photographs of them both in their younger
days, while showing me some of his artistic masterpieces on the wall.
"I've had one or two of them displayed in Bond Street," he tells
me. I compliment him on his handiwork, before realising they're not actually
his own pieces, but those of his character's.
Georgia and Christopher are as charming as Perdy and Grayson as they show us
around the production set.
For a moment a hushed silence falls upon our little group as filming is
about to take place and we are politely ushered to another part of the set.
Roxanne Pallett, who plays Jo Stiles, is shooting a scene with her
boyfriend's father Jack Sugden, who is played by Clive Hornby. We don't stay
to watch, but instead make our way to the Woolpack, where I've been dying to
give Diane and Val a run for their money.
The Woolpack is empty. There's no Shadrach propping up the bar or Val
downing copious gallons of Chardonnay while serving the regulars.
I try my hand at pint pulling but nothing comes out. And there I was
believing that the barrels would be full to the brim with real beer.
We're then led away to meet more cast. Kelvin Fletcher, aka Andy Sugden, is
relaxing upstairs, reading the Belfast Telegraph between takes. Kelvin is a
regular visitor to Northern Ireland and was recently in the province for the
wedding of Cinemagic boss Joan Burney, a friend of the young Emmerdale
actor. We have a quick catch up before we meet actress Sammy Winward - Katie
Sugden - who still looks gorgeous, despite being dosed with the cold.
Sammy's character is at the centre of a surrogacy storyline at the moment,
but she can't divulge what happens next.
"To tell you the truth, I hardly know myself from one day to the next,"
she says.
Our set visit over, we join crew and cast members for a seasonal Christmas
lunch in the canteen. Actresses Sally Oliver and Kelsey Beth Crossley, who
play Lexie and Scarlett Nicholls, take a break from filming to get stuck
into some turkey and stuffing. Then it's back to work for the next few hours.
As we leave, we're passed on a country road by Lucy Parteger (Chastity
Dingle), racing towards Emmerdale in a zippy little Porsche.
It's a rare sight, I point out - a Dingle in a Porsche - but then Tim
reminds me: "It's only a soap Maureen. She's not really a Dingle."