Belfast Telegraph

Tuesday 13 October 2015

The Headless Woman (12a)

Reviewed by Anthony Quinn

Published 19/02/2010

This cleverly oblique movie hinges upon an incident whose meaning remains enigmatic to the end.

A middle-class Argentinian woman, named Vero (María Onetto), is driving along a lonesome dust road when, distracted for a moment, her car runs something over. At first she thinks it's a dog, and drives on without investigating. Later, however, she is harrowed by the thought that she may have knocked down and killed a young boy. The writer-director Lucrecia Martel very subtly suggests the way that guilt, even when unacknowledged, can spread within a body like a fever, yet the remarkable thing about María Onetto's performance is the absolute impassivity of her face. So how is this done? By the insinuating use of the camera, lurking behind a car head-rest or staring hard at a face in profile, an invisible accuser that refuses to let this woman off the hook.

From the web

Sponsored Videos

Your Comments

COMMENT RULES: Comments that are judged to be defamatory, abusive or in bad taste are not acceptable and contributors who consistently fall below certain criteria will be permanently blacklisted. The moderator will not enter into debate with individual contributors and the moderator’s decision is final. It is Belfast Telegraph policy to close comments on court cases, tribunals and active legal investigations. We may also close comments on articles which are being targeted for abuse. Problems with commenting?

Read More

From Belfast Telegraph