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Russell Crowe on The Water Diviner: 'I believed I was the only one who could tell this story'

Once the ill-tempered bad boy of Hollywood, Russell Crowe finally seems to have mellowed as he goes behind the camera to direct a very poignant and personal First World War tale, says Keeley Bolger

Published 03/04/2015

New direction: Russell Crowe in The Water Diviner
New direction: Russell Crowe in The Water Diviner
Russell Crowe won a best actor Oscar for his role in Gladiator
Different take: Russell Crowe with co-star Olga Kurylenko

In the age of selfies, and the very real possibility for A-Listers to have their mugs surreptitiously snapped and then splashed across social media, many actors would feel the need to preen for their public, both physically and in what they say.

Russell Crowe is not that man. With a full day of interviews to discuss his directorial debut The Water Diviner, in which he also stars, he is relaxed and prepared for battle in his slouchy black hoodie and jeans - a pack of cigarettes closely at hand for a crafty drag.

"I know so many actors who would freak out about going on a television show with all these grey hairs poking out," says the 50-year-old, shrugging. "I haven't had my eyes done or whatever. I am who I am. I'm totally comfortable in my own skin."

Comfortable - and defiant. Earlier this year, Crowe sparked controversy when he spoke out about how growing older has changed the roles he considers, and suggested his female counterparts who find it hard to land roles shouldn't look to play the "ingenue" forever.

He went on to name check Helen Mirren and Meryl Streep (even finding an ally in The Iron Lady star) as shining examples of actors who have continued their success well into their 60s.

"The benefit of being an actor, one of the benefits, is there are always roles to play, whatever age you are," explains Crowe, who was born in New Zealand but grew up in Australia.

"But it never gets less competitive. I think that's where some people have a fundamental problem. If they've achieved a level of success, then (they think) that level of success should remain for the rest of their lives, but that's not reality."

He had a firm but fair approach to directing on set, insisting on giving his cast and crew proper time off to see their families, and allowing the odd pint or play on one of the Space Invaders or pinball machines he hired for them, in return for giving "their absolute best work" while they were on set.

"Success needs to be constantly nurtured, otherwise it's a memory of success, if success is important to you," he adds. "I'm a very ambitious b*****d and I want to be working at the highest levels of the business, and if you're going to do that, that takes effort."

A firm believer in graft, he clearly enjoys throwing his all into a project.

"Nobody hands you a damned thing in this world," he continues. "It's only the fact that you apply energy and effort that will give you that (success).

"For me, to say what I said (about ageing), I was just turning it back into myself, and saying it would be embarrassing pretending that I'm still some young buck."

Granted then, Crowe, who has two sons with his estranged wife Danielle Spencer, isn't one to rest on his laurels.

After a hugely successful career, finding global acclaim in his 30s for his Academy Award-winning role in Gladiator and Bafta win for A Beautiful Mind, he has stepped up to direct The Water Diviner.

Also starring Bond actress Olga Kurylenko, the film is based on a true story of a grieving Australian father, who goes to Gallipoli to find out what's happened to his three sons, who've been reported missing in action in the First World War battle.

"When I'm looking for scripts as an actor, I'm looking for one that I have a visceral connection to; goosebumps, churning stomach, sweating brow, making notes immediately on behalf of the character, correcting dialogue," he says with a gradual smile.

"And that was happening when I was reading the script (for The Water Diviner). But the other thing that was happening, which I'm totally unused to and has never happened (before), was where I had a fundamental belief that I was the only person in the entire universe that could tell this story the way it (was meant to be told).

"I wanted to be responsible for the story, and I wanted to make sure the story came across to people in the way I was reading it."

While others might wrangle with the notion of being both director and leading man, Crowe relished the chance to get stuck in. "Mel Gibson, when he was going to direct his first film, called Jodie Foster and said, 'Right, you've directed yourself in a movie before. Any advice?' And she said, 'One word'," he continues, chuckling. "And he said, 'What is it?' And she said, 'Don't do it!'"

But that didn't put Crowe off, who says the transition was a "natural, easy" one.

Working on films, he says, "you learn the things you definitely want to do, other times you learn s**t that you don't want to do".

"I learned very clearly that film is a relentless pursuit, and you have to match the task with an equally relentless energy."

And just like his well-documented passion for Leeds United and Rugby League, Crowe approaches his fame with an equal level of energy.

It's just that rather than gloat about his lot, he's fully committed to popping the celebrity bubble.

"Twitter has got nothing to do with egotism; it's actually got to do with simply communicating," says the actor, who admits the social network is very useful in putting out his truth, if he feels he's been misquoted.

"If you're afraid of your audience and of people, or you don't like talking to people, that's another thing, but I don't have any of those fears.

"I think it's healthy to deglamorise what I do.

"I've always been that person that says, 'You put me on a pedestal, and I'll find a way to torch that pedestal immediately'."

The Water Diviner is in cinemas now

Life through a lens ...

Other A-listers who've swapped their lines for a turn behind the camera include ...

  • Robert Redford - the Hollywood heart-throb showed he had more than just a pretty face when he took up residence in the director's chair for his debut feature Ordinary People. The tale of a middle-class suburban family coping with the death of their son scooped four Oscars, including best picture. He has since gone on to direct well-received films such as A River Runs Through It and The Horse Whisperer
  • Jodie Foster - the star of hit films such as Taxi Driver and The Accused gave directing a go in the 1991 film Little Man Tate, in which she also starred as the single mother of an intellectually precocious child. The film was a hit with critics, though she has only directed a handful of times since, notably in the 2011 comedy drama The Beaver
  • Clint Eastwood - already a bona fide megastar for his roles in the Spaghetti Western and Dirty Harry series, Eastwood showed he had the right stuff to be a director with his 1971 debut, the stalker thriller Play Misty For Me. He has enjoyed a prolific career since them, helming modern classics such as Unforgiven, Mystic River, Million Dollar Baby and, most recently, the hugely successful American Sniper
  • Ben Affleck - written off as a lightweight heartthrob after starring in lame fare such as Pearl Harbour and Gigli, the star bounced back in 2007 after directing dark crime drama Gone Baby Gone, followed by gritty thriller The Town in 2010 and the Oscar-winning Argo in 2012
  • Mel Gibson - the controversial star turned his hand to filmmaking in 1993 with earnest drama The Man Without a Face, before his big breakthrough in 1995's Braveheart, which raised the bar for historical epics. Biblical drama The Passion of the Christ divided both audiences and critics greatly

From skinhead to singing policeman... Russell’s choice roles

Russell's most memorable parts to date include ...

  • Romper Stomper (1992) - burst onto the film scene with this chilling portrayal of a neo-Nazi skinhead gang leader in Melbourne
  • LA Confidential (1997) - Crowe's big breakthrough was in this compelling cop drama set in Los Angeles, in which he plays violent cop Bud White, who finds himself caught up in a web of police corruption involving politicians and movie stars
  • Gladiator (2000) - arguably one of Crowe's signature roles, Ridley Scott's epic saw the star transformed into a vengeful Roman general-turned-gladiator, who seeks retribution on the Roman Emperor for the murder of his family. Crowe won a best actor Oscar for the role
  • A Beautiful Mind (2001) - on paper this tale of a college mathematics professor suffering from mental illness wouldn't sound like the kind of part that would suit an actor as physical as Crowe, but he delivered a believable turn as the genius whose life begins to crumble against the backdrop of Cold War-era America
  • Les Miserables (2012) - while he brought the right sense of menace and vulnerability to the role of the determined police chief Javert, alas Crowe couldn't quite master the necessary vocals for the musical numbers in this classic tale

Belfast Telegraph

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