Long road out of Eden: By Eagles
Critics shoot down Eagles' first album for three decades
Tuesday, October 30, 2007
By Andrew Gumbel
You can take the Eagles out of the 1970s, but you can't take the 1970s out
of the Eagles. That, at least, is the conclusion of US critics who have
greeted the band's first album of original material in 28 years with less
than open arms. "Good news, the Eagles haven't changed a bit,"
wrote The Christian Science Monitor. "Bad news: The Eagles haven't
changed a bit."
The band that spawned such monster hits as "Hotel California", "Desperado"
and "Take It To The Limit" has been promising a new album for years, to the
delight and frustration of their enduring army of fans. That album, Long
Road Out of Eden, finally hit the shelves yesterday, and hype alone will
almost certainly generate the multiple millions of sales the group has long
been used to.
Musically, though, the critics have found ample grounds for mixed feelings.
"The Eagles are who they are due to their mastery of a very specific sound,"
the entertainment newspaper Variety wrote. "Sounding like their second-rate
imitators from the 1970s – I count five tracks dripping in sappy '70s
touches, especialy faux frailness – should not be an option."
The 20-song collection won praise for many of the Eagles' hallmarks – solid
songwriting and spot-on musicianship. The 10-minute title track, which
denounces US adventurism in Iraq and elsewhere, has generated the most
excitement – and radio airplay – but still cannot exactly be described as
cutting-edge. "It's still the kind of stolid, mid-tempo song the Eagles have
long relied on with a guitar solo that virtually reruns Hotel California,"
snarled The New York Times.
The Eagles went through a famously acrimonious break-up in 1980, swearing at
the time to get back together only "when hell freezes over". Hell duly froze
about 14 years later, when the lure of big money from reunion tours
featuring the band's hits proved too strong for Don Henley, Glenn Frey and
bandmates.
The new album has raised eyebrows in the US because of an exclusive retail
and marketing deal the band struck with Wal-Mart, the discount superstore
chain. Henley, meanwhile, has been a little prickly about the criticism,
especially given his track record of social activism against corporate
behemoths just like Wal-Mart. "I am not thrilled with everything Wal-Mart
has done," he told Billboard magazine.