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Albums of the week: Rebecca Ferguson to Kings of Leon

Bangor’s very own Two Door Cinema Club present Gameshow while soulful former X Factor star Rebecca Ferguson returns with Superwoman and US rockers Kings of Leon are back with Walls. We round up all the best of this week’s releases.


Pow! Two Door Cinema Club are back with their first new music for three years, and first album for four. Following second album Beacon’s success (number two in the UK album charts) in 2012, what could we expect from album number three, Gameshow? Danceable? Check. Catchy? Check. Great lyrics? Check. Not only this, but this dreamy album from the Co Down trio provides boppable hit after hit, from single Are We Ready? (Wreck) and title track Gameshow, to Je Viens De La. The record takes you on an individual journey with Alex Trimble’s sublime vocals and gravity does indeed lose control of your body. It might be your head, your hip, your foot or your hand, but be warned, at least one part of you will be unable to resist the force of Two Door’s ability to make you move.


Becky Barnes


Youth & Young Manhood, Kings Of Leon’s 2003 debut ricocheted around inside your skull, full of bite, while Aha Shake Heartbreak had enough punch and wit to floor even hardened indie aficionados. Their more recent efforts however, have been a sludge of identikit guitar indie, only just carried by frontman Caleb Followill’s gravelly vocals. Walls is no Aha Shake Heartbreak, but it bounds and scampers with an energy that has been thoroughly lacking from the Nashville foursome. First single Waste A Moment swirls with electric guitar, scrambled with country undertones and rocky riffs, Over thrums across stretched, yearning vocals and Muchacho, complete with Mexican style clicking, rolls mesmerically like a slow salsa. It’s not stunning, but there’s depth here to fold yourself into.


Ella Walker


Punk poet John Cooper Clarke’s snarling Salford burr has been heard in all manner of venues in a career well into its fourth decade, but I bet there’s nowhere, except perhaps the Cooper Clarke bathroom, that has heard him sound like this before. This Time It’s Personal sees the 67-year-old team up with former Stranglers frontman Hugh Cornwell and sing, yes sing, some of the favourite songs from his youth. He has a surprisingly mellifluous croon and while hardly Sinatra, shares some of the great man’s feel for the songs. Cornwell’s presence is muted, with the arrangements careful not to overpower the singer, but there is a nice Mariachi swagger to Johnny Remember Me. The pair only really let their impish humour roam on MacArthur Park, which begins as a heart on the sleeve piano ballad, evolves into churning rock and then wigs out with flute-led groovy psychedelia.


Mark Edwards


It’s amazing to think that Rebecca Ferguson came runner-up to Matt Cardle on The X Factor in 2010. Four albums on though and it’s clear Ferguson is the real winner. Superwoman follows in the same soulful vein as her critically acclaimed earlier records, Heaven and Freedom. She belts out Bones, her Scouse burr catching heartily on the huge crescendos; Mistress is proper power pop with a big, funky chorus, while Without A Woman shows off Ferguson’s dramatic range, although it’s got a double time chorus that does slightly grate. But Ferguson manages to be emotional without sliding into being weepy and saccharine — this is a woman on fire, and on form.


Ella Walker


Welsh rockers Feeder fail to switch on for their disappointing ninth studio album All Bright Electric. Grant Nicholas and company’s latest, All Bright Electric, opens with blazing track Universe Of Life, but then slides into fuzzy alt-rock territory thereafter. The vocals and guitar on Geezer seem oddly reminiscent of U2’s mid-Nineties hit, Hold Me, Thrill Me, Kiss Me, Kill Me. One of the better tracks is delicate slow-burner Oh Mary, which sits nicely among the other louder songs — it is a shame there isn’t more of the same.


Ryan Ward

Belfast Telegraph


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