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Theatre & Arts


Artist draws on his eye for patterns

Friday, May 16, 2008

This week I was delighted to attend the opening of an exhibition by an artist who, until now, has been apparently reluctant to expose his work to too much public scrutiny.

He needn't have worried, as this exhibition shows him to be multi-faceted as well as multi-talented. The artist in question is Terry Aston and the exhibition, in The Island Arts Centre, Lisburn, is entitled Drawing Out, a title which Terry says, "describes my work both literally and metaphorically".

Born and trained in Manchester, Terry has lived and worked here for around 40 years, so I suppose we could call him an honorary Ulsterman. Certainly it is around here that he gets much of his inspiration and does a great deal of his drawing, both outdoors and indoors. This constant use of sketchbooks runs through all his work over the years. As he says himself: "I can't remember a time when I didn't draw and it is rare for a day to pass without me doing a drawing".

That, therefore, is where the exhibition title comes from — Drawing Out — a process of recording, developing and interpreting images, drawing out " the qualities in a subject as I work or developing them later through different media and techniques".

Terry is seldom seen without his pocket sketchbook and the show contains a continuously playing DVD of the contents of 19 of them, done over a period of seven years and containing some 1,100 images. This exhibition contains a number of very different styles of work from the vigorous, vivid Saxophone to the bold Blue Chairs, the finely drawn Railway Bridge, Maryland, or the softly coloured Urbino, Italy but the most striking images in the show must be his wonderful black and white relief prints. This wouldn't be his usual medium — until now he has always favoured pen and wash or simple fine line, very detailed, pen drawing but now he has exploded into the rhythmic freedom of print.

Although illustration was the subject he lectured in at UU, he is so obviously a designer at heart with around 20 lovely, flowing, extremely pattern-conscious images. We've waited far too long for this exhibition and it runs until May 31.

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