Gail Walker: Maddy mystery ... and the media
Tuesday, 28 August 2007
What are we to make of Gerry McCann's call to scale down the media campaign to find his missing daughter Madeleine?
Just the day before, his sisters had appeared on TV's This Morning and
Richard and Judy.
And Mr McCann himself made his request during a
highly publicised appearance at the Edinburgh Television Festival.
For the Press, the mystery of what happened to Madeleine on May 3 has been
one of the most extraordinary episodes in media history - and certainly not
its finest hour.
Initially, understandably, every outlet got behind
the family. This was a story the public could not get enough of - and
desperately wanted a positive outcome to. It involved people's darkest fears
- child abduction.
A young, white, middle-class British couple,
both doctors, found themselves engulfed by terrible events.
Yet,
there was something it seemed unfair and spiteful to mention.
They
had left Madeleine and her twin brother and sister alone in their unlocked
apartment, which opened onto the public highway, while they dined with
friends at a Tapas bar some distance away.
Some of you will be
shocked by that statement. You won't have read it all joined up like that in
the papers.
Put whatever spin you want on it - they were checking
regularly, it was just like being in their garden at home - but this was
where the whole McCann campaign began to come unstuck. The papers had to
accommodate it without implying any criticism of the McCanns.
Meanwhile, the parents certainly didn't brook any criticism of their actions.
Give or take a few critical pieces from commentators, the media remained on
message. Even if some of the public did not.
Remember those early
May evenings in Praia de Luz? The TV satellite vans' permanent presence; the
photocalls with Mr and Mrs McCann as they walked to and from church; the
trips to Fatima and the Vatican.
What you won't recall are any of
the more standard news breaks on a story such as this.
There had
been considerable restraint surrounding the story. Oddly, there was no
information relating to the seven other people in the holiday party - to the
extent no one even knew what their names were. And no effort, apparently, to
find out.
Odd all round, because for newspapers, that is the type
of information - the routine 'human' side of the story - which keeps a story
'alive' when there's nothing happening. For some reason, this anomaly in the
campaign survived.
Until about 15 days ago, when the first of what
Mr McCann describes as "wild speculation" appeared in the
Portuguese Press about the case - allegations that have been reprinted in
many British papers.
"I can see more clearly that staying in
Portugal may be counter-productive," he says. "That generated
pressure on people to write things and maybe the pressure is too great."
Of course, Mr McCann must also be troubled by the wild speculation that is
rampant on web forums.
Log on to some of those sites and you'll
find extremely harsh criticism of the McCanns. That's where the latest
translations of Portuguese papers appear early every day.
Mr McCann
is right to be concerned. But turning off the media spotlight is not going
to be a matter of simply asking the media to go away.
The
difficulty is "the campaign" hasn't been setting the agenda for
some time now. The first intimations from Portugal - since confirmed - that
the police were considering the possibility that Madeleine had died on the
evening she disappeared effectively moved the focus of attention.
The steam went out of the campaign to find Madeleine McCann because while
she was still missing, she was close to being presumed dead.
That
fuelled speculation in the Portuguese Press and created a frenzy around
other possible options - none of those driven by the McCann campaign.
The McCanns can't turn off what they didn't start. Now, the question of what
happened to Madeleine McCann has been returned to where it probably should
have been exclusively all along - not in TV studios, not on wristbands, not
inside copies of Harry Potter.
But in some poorly-lit, messy office
in police headquarters, Portimaio, Portugal.
Oh Brother, it seems we haven't seen the last of this!
It brought us Vanessa Feltz writing things like the mad woman in the attic, Les Dennis having a breakdown live, George Galloway (far right) pretending to be a cat instead of representing his constituents, the true love match that was Preston and Chantelle, and cheered the heart of every neo-Nazi racist.
But, alas, Celebrity Big Brother is no more. Channel 4 have decided to axe
the show.
Except, true to the show's Orwellian roots, the channel
has denied killing the show outright due to all the big bad publicity.
No, no, no, the show is going through a 'creative renewal'. It might be back.
'Creative renewal'. What a wonderful euphemism - and one suitable for more or
less every painful situation in life.
"Jenkins, you're not
being fired. You're being creatively renewed."
"Bill,
don't think of me sleeping with your best friend as you being dumped. Think
of it as creatively renewing our relationship."
"Nobby,
following your three own goals and assaulting the referee last week, I'm
creatively renewing you from the team."
Now, if we can only
get BB itself creatively renewed.
Just think, no more
micro-celebrities getting their kits off for Nuts and Zoo. No more 'My Plans
to Get Wiggy with Ziggy' exclusives. No more Dermot, no more Davina. No more
failed camp comedians going on and on about it as if it really matters. No
more of those annoying newspaper graphics showing who's up and who's down.
No more Guardian articles assessing the socio-political-cultural
implications of blah, blah, blah ?
Who knows? With all that airtime
to fill maybe Channel 4 may even creatively renew itself by making a real
programme. With actors and everyfink.
Saints alive! This dirrty girl is no Mother Theresa
Apparently Amnesty International's recent decision to support women's access
to abortion in certain circumstances is causing ructions, with many Catholic
members very unhappy about the decision.
Indeed, the argument has
spread to former high profile supporters of Amnesty projects such as
Christina Aguilera (right) and Avril Lavigne - both of whom have made
emphatic statements against abortion. As the row has lumbered on, at least
one paper has called Aguilera a 'devout Catholic'.
Now, I don't
wish to discuss Amnesty (a bunch of pinkos) or indeed abortion (an endless
debate, both sides of which we can all rehearse in our sleep) but I am a bit
concerned about this conversion of the 'dirrty' girl into the new Mother
Theresa. Is this the same Christina Aguilera who goes about with no backside
in her trousers singing she's "too dirrty to clean up my act/If you
ain't dirrty/You ain't here to party (woo!)"
Woo indeed! And
what about that Candyman who makes "all the panties drop".
I don't recall that sort of language in Hymns Ancient and Modern.
Could it possibly be that Aguilera's devout Catholicism is a bit like
Beyonce's once ubiquitous Christianity - an a la carte affair.
Religion's okay as far as it goes as long as you don't have to keep your
clothes on.
Vatican II has a lot to answer for ...
A wise decision Camilla
It's nice to know there is at least one person in Clarence House who still
has a sense of propriety.
The Duchess of Cornwall's eleventh hour
decision not to attend the memorial service to mark the 10th anniversary of
the death of Diana, Princess of Wales, is the wise move.
It means
the event won't be marred by everyone craning their necks to see how
discomfited Camilla looks to be paying her respects to the woman whose
husband she had been sleeping with. It's not about tact, it's about common
sense.
The problem is it leaves the Prince of Wales rather high and
dry. His first wife couldn't stick him; his second wife won't stick by him.
It'll be another one of those occasions, when he'll be alone on a pew, with
the entire population of Britain staring into the back of his neck, watching
it go red and white by turns as the tributes pour forth.
Also in this section
- Robert Fisk: It's never good to swap people for bodies
- E Jane Dickson: Bachelor Boy Cliff Richard has played a blinder
