Just why are we being so toxic to poor Britney?
Tuesday, 25 September 2007
What has Britney Spears ever done to Britain to warrant the violence of the attitude towards her, now that she is experiencing personal difficulties? Kate Moss. Amy Winehouse. Paula Yates. They've all done their lines of cocaine, been photographed wasted, shot through and addled. Moss and Yates have been, let's say, less than model mums.
But none of them received even a fraction of the venom reserved for Britney.
In fact, gossip columnists and celebrity mags rallied to their defence.
Eventually even sober-sided commentators like myself would contribute a
think piece about the pressures on modern women, the dangers of their
various professions, the perfidy of the men in their lives and the perils of
modern fame.
But no one is rallying to Britney's cause.
Indeed, the more extreme Britney's plight becomes - and it is clear that it
is extremely extreme - the more frenzied is the need to cash in quickly on
what remains of her.
Maybe it's because we are farther away in
Britain and aren't seeing the crash and burn up close.
Maybe it's
also because Britney is also an infinitely bigger star than anything Britain
could produce. No one who has come to prominence in Britain in the last 25
years could even come close to the global brand that Britney represents.
Certainly, no female.
Maybe there isn't the same need to defend and
protect someone who isn't likely to stumble into the same nightclub as the
gossip columnists in London.
Whatever the reason the commentary is
poisonous, gleeful and distasteful.
What is it about this
25-year-old mum of two that has prompted such hatred and - worse - such
obvious delight in her meltdown?
Is this what we have for sport
these days? Sniggering at someone whose life is at risk, like playground
bullies seeing just how much more she can take.
And if it goes the
full way, well, we can't be blamed. We were just hanging onto the railings,
watching.
And now we're doing it again, as Britney's former
bodyguard reckons the best way he can help her is by selling his story to
the News of the World and the Mail on Sunday.
Under the pretext of
fretting about Britney's predicament, Tony Barretto chooses to give his
advice over the front pages. It's an opportunity to print more pictures of
the star in distress.
And, of course, it's really all about
Barretto becoming the latest person to make a fast buck out of Britney.
We know that this is what fame does. We know that celebrities are fair game
when things go wrong. We know that their reputations live or die by the
media. We don't expect them literally to live or die by the media.
The problem is not the coverage itself. It's the type of it and the tone of
it. It's not good.
It's not good obviously for the celebrity and
it's certainly not good for the reader.
We find ourselves
implicated as bystanders. But it's worse than that. If this was happening to
someone we loved, right in front of our eyes, we would do something.
More than that, we would be expected to do something. We would not be expected
to stand back and laugh.
But that's what's happening in our
newspapers.
With Moss and Winehouse and the late Yates, they had
their own bevy of apologists and a sensible, humane Press.
But
those are luxuries Britney doesn't seem to have.
Instead, it's open
season on Poor White Trash, the type of American we in Britain have never
really liked. If they're female, even less so. Every stereotype gets
trundled out: the accent grates, the brash personality sets our teeth on
edge, the luxury of the lifestyle confirms our view they are cheap, tawdry
and stupid.
Mostly, they've never bothered to butter us up. That's
what's unforgiveable. They don't realise how important it is to make the
right noises about 'London, England'. They think they can get by without us.
Mostly, they can. But we make them pay for it when it all goes belly up. What
was that you sang Britney? Oh yes, Hit Me Baby One More Time.
You were out of Orde-r, Sir Hugh ...
Well done Mrs Kathleen Orde for giving Sir Hugh the heave-ho. There's only
so much abuse one woman can take. Six months after it was revealed PSNI
Chief Constable Sir Hugh had a secret love child, it's been confirmed his
wife has left their home in Crawfordsburn and moved back to England.
Recently, there's been a trend for women in the public eye to grit their teeth
and support their high profile husband when an affair is exposed. They think
if they refuse to believe it, then the public will too ... and that somehow
the horror of it all will go away.
All tripe, of course. You can
kind of understand it when a betrayed partner digs in if the dalliance is
clearly a drunken one-off kerfuffle by a truly penitent and remorseful
spouse. Particularly if the couple have young children.
Alas Sir
Hugh's three-year affair was tantamount to a parallel relationship, complete
with child. Then there was his stupidity in being photographed running
marathons with his bit on the side. The exposure of the affair must have
been humiliating for Kathleen Orde, who during their 22-year marriage had
upped sticks to Northern Ireland to support her husband in his career. The
Ordes' son is grown up, so what one good reason has Kathleen to stay?
Bolstered with a good settlement from her straying partner, she is young
enough to start again. And by having the self-respect, confidence and
chutzpah to leave, she's clearly got what it takes to do just that. The best
of luck to her.
Bear-faced cheek of Mr Ad Man
Get your grubby paws off Paddington's fur, Marmite (aka Unilever)!
The recent ads with everyone's favourite bear switching from his trusty
marmalade sandwiches to Marmite is just a step too far, Mr Ad Man.
Paddington comes from Darkest Peru, wears a duffel coat and a hat, is
invariably polite and he ... eats marmalade sandwiches.
That's just
the way it is.
It's even more sad that his creator Michael Bond has
been bombarded with calls from outraged fans accusing him of selling out the
children's favourite for 30 pieces of silver.
Bond is as outraged
as they, but the rights don't belong to him any more.
Indeed, he
was so outraged he penned a very stiff letter to The Times to complain about
how his creation was being hawked around.
What next? Dougal from
the Magic Roundabout to flog personal loans? (Certainly cuter than Carol
Vorderman).
Thomas the Tank engine to tart up the image of Virgin
trains?
I know it's small beer in comparison with the Middle East,
law and order and Bluetongue disease but some things are ... well ...
important.
And using a symbol of childhood innocence to flog a few
more jars of Marmite just isn't on.
It's time to give some people a
very hard stare ...
Is there anybody out there?
While the nation is in a rightful fret over the Blue Peter 'Socks the Cat'
scandal, two other deceptions slipped under the tabloid radar.
BBC6
Music's Clare McDonnell Show ran a competition that attracted so few entries
that the production team had to make up winners to take the bad look off it.
In the following weeks, production staff also disregarded a very small number
of 'legitimate' entries because ... er ... they were from repeat winners. In
other words, it was the same three or four avid listeners winning everything
week after week.
But at least poor Clare had some entrants.
Tom Robinson (of 2,4,6,8 Motorway fame) in his BBC6 Music show had abolutely
no entries for a competitition to give away free gig tickets. So the staff
etc etc etc.
Now, the station's head of programmes has fallen on
his own sword by resigning.
In truth, I don't know why the upper
echelons of the BBC are so worried about deceiving the listeners - it seems
that BBC6 Music, like so many of the Beeb's narrowcast stations, has few or
no listeners to deceive.
Still, what's another few quid on the
licence fee for more stations when there seems to be more presenters than
punters?
