Amid heavy rain, dancing flappers flocked down the Cannes red carpet last night, bringing a touch of the jazz age to the Croisette. 'Gatsby' stars Leonardo DiCaprio, Carey Mulligan and Tobey Maguire helped give the festival's opening day a strong dose of star power.
At the opening ceremony, DiCaprio, joined by his 'Gatsby' co-star, Bollywood actor Amitabh Bachchan, declared the 66th Cannes officially begun.
Over the next 12 days, dozens of the world's most artistically ambitious films will premiere on Cannes' global stage. But yesterday was a day for blockbusters -- both the big-budget 'Gatsby' and Hollywood's most accomplished director of spectacle: Steven Spielberg.
Spielberg is serving as jury president at this year's Cannes and he was received like a visiting head of state, a king of cinema.
The 'Lincoln' director received a standing ovation at the opening ceremony and was serenaded with a performance of 'Miss Celie's Blues' from his 1985 film, 'The Color Purple'.
He heads the jury that will decide the prestigious Palme d'Or, given to one of the 20 competing films, with entries ranging from the Coen brothers ('Llewyn Davis'), Alexander Payne ('Nebraska') and Steven Soderbergh ('Behind the Candelabra').
This year's jury is an intimidating, starry bunch, including Nicole Kidman, Ang Lee and Christoph Waltz.
"Everyone sits in judgment of us," Spielberg said. "So it's our turn."
Luhrmann's 3D adaption of F Scott Fitzgerald's novel, starring DiCaprio, is this year's festival opener, a choice that surprised many since the film opened last week in North America. Cannes typically takes precedence over release schedules, but 'Gatsby' sails to the Croisette after a robust weekend haul of $51.1m (40m).
After Luhrmann noted in a news conference that the film had pushed Fitzgerald's novel to the top of the bestseller list (selling more copies in a week than in the author's lifetime), DiCaprio added with a grin: "And a little film adaptation is doing quite well at the box office."
But while 'Gatsby' is getting a victory lap on the Cannes red carpet, it comes to the festival with the sting of mixed reviews. Many film critics have taken issue with the movie's stylistic flourishes.
"I knew that would come," said Luhrmann, noting Fitzgerald's 1925 novel was also initially received poorly. "I just care that people are going out and seeing it."