Belfast Telegraph

A fashion genius who dressed stars and royalty as he rebooted Chanel as a catwalk giant

Following the death of legendary creative director Karl Lagerfeld, Liz Connor pays tribute to the highly influential designer with seven things we should know about his legacy

Revered icon: Karl Lagerfeld in 2011
Revered icon: Karl Lagerfeld in 2011
The Duchess of Cambridge wearing Chanel
Royal approval: Princess Diana wearing Chanel
Karl with models in Germany in 1973
Karl is applauded by Claudia Schiffer and Naomi Campbell at the end of the Chanel 1997 collection presented in Paris

The fashion world is in mourning after yesterday's news that legendary fashion designer Karl Lagerfeld passed away at the age of 85.

The news came as a shock to many, although fans were concerned for the late designer's health after he missed two of Chanel's haute couture shows in Paris in January. At the time, the fashion company released a statement saying that he was 'feeling tired'.

Known for his white ponytail, trademark sunglasses and penchant for a pair of leather gloves, Lagerfeld is one of the enduring fashion icons of the last century. His designs have been worn by everyone from Elizabeth Taylor to the Duchess of Cambridge, and his influence on the industry is irrefutable.

As Chanel fans prepare to say goodbye to the prolific designer, here are seven things you should know about his legacy.

1. He created some of the most spectacular shows in fashion history

From a 115ft tall rocket ship, that blasted off in front of Anna Wintour and the rest of the front row, to a scale model of the Eiffel tower, the Chanel shows became the major talking point of the Paris Fashion Week - not just for the exquisite clothes, but for Lagerfeld's genius set designs.

Favourites include 2014's Chanel supermarket, complete with aisles, checkouts and over 500 different Chanel-branded food items, and 2019's indoor beach, where models walked barefoot through lapping waves. No idea was too extravagant, no expense was spared and his cinematic vision turned the French catwalk into living art.

2. He cut his teeth at Balmain

Lagerfeld got his big opening in fashion when he won the 1954 International Woolmark Prize, based on his sketch of a coat that was picked up by designer Pierre Balmain. He went on to work for the French designer, as his assistant for three years, before going on to design collections for Jean Patou, Chloe, Krizia, Charles Jourdan, Mario Valentino, Fendi and, ultimately, Chanel.

3. He was one of the longest-serving (and said to be the hardest working) designers in fashion

Lagerfeld was a gifted illustrator and loved to sketch, and when he went to Paris to pursue the arts he found immediate success with Balmain.

From that time on he worked within the fashion industry for 64 years, most notably as the creative director of Chanel and Fendi, titles he held up until his death.

As well as autumn/winter and summer/spring collections, Lagerfeld orchestrated a non-stop calendar of resort, pre-autumn and couture shows as well as mid-season collections.

He also juggled running two major fashion houses alongside his own namesake fashion label, Karl Lagerfeld, which combined his signature love of Parisian-inspired styles with a 'rock-chic' ease.

4. He sketched all of his collections

Despite designing an average of 14 collections per year, Lagerfeld still sketched all of his designs on paper by hand.

"I don't do a computer, I don't have a studio with 20 people sketching. I sketch myself everything and I'm pretty good at it because I wanted to become an illustrator at the beginning," he told CNBC.

"Today it's very different. First of all some of the younger designers are not that young. And also you know they are art directors - I'm not an art director - so they have people, and then they make a choice, and then they go out after the show and make believe they did it all. It's the way every studio is organised today. But not mine."

5. He rebooted Chanel, but still stayed true to Coco's original vision

When Lagerfeld joined Chanel to design haute couture in 1983, sales were said to be plummeting and its straight-laced image was struggling to appeal to modern women.

"Once upon a time Chanel was old hat. It was only Parisian doctors' wives who still wore it. Nobody wanted it, it was hopeless," Lagerfeld said not long after joining the fashion house, according to The Telegraph.

Through capturing the spirit of the time, Lagerfeld sexed up the brand's iconic tweed skirts and made Chanel's instantly recognisable accessories into a prized item.

Everyone from Kate Moss to Keira Knightley has fronted his campaigns and his keen eye for capturing what women want to wear turned the brand from a small house into a global heavyweight.

Throughout his legacy at Chanel, he's always stayed true to many of Coco Chanel's original design details, such as pearls, braid-brimmed tweed suits and the iconic 'double C' logo.

6. He shot many of the Chanel campaigns himself

Lagerfeld was famous for loathing selfies, but he was a keen photographer. He reportedly never left the house without his camera and even shot many of the Chanel house campaigns himself - from Claudia Schiffer in 1995 to Stella Tennant in 2002.

7. His cat was his enduring muse

No ode to Lagerfeld would be complete without mentioning his famous Birman cat Choupette. The fluffy white feline was his enduring companion and inspired many of his designs over the years.

Speaking about Choupette, the designer told CNN that he would marry his long-standing companion if it were possible: "There is no marriage yet for human beings and animals... I never thought that I would fall in love like this with a cat."

Karl with models in Germany in 1973

Some of Karl Lagerfeld's best and most controversial quotes

"When I was four I asked my mother for a valet for my birthday."

"When I was 14, I wanted to smoke because my mother smoked like mad. I wanted to smoke to look grown-up. But my mother said, 'You shouldn't smoke. Your hands are not that beautiful and that shows when you smoke'."

"The iPod is genius. I have 300."

"People I'm really friendly with have faxes. Anna Wintour has one."

"I send notes. I'm not a chambermaid whom you can ring at every moment. Today, you know, most people act like they work at a switchboard in a hotel."

"I think tattoos are horrible. It's like living in a Pucci dress full-time. If you're young and tight, maybe it's okay, but..."

"Sweatpants are a sign of defeat. You lost control of your life so you bought some sweatpants."

On his cat Choupette to British Vogue: "I don't even think I'm that famous. Now, Choupette really is famous. She has become the most famous cat in the world. I even get propositioned by pet food companies and things like that, but it's out of the question. I'm commercial. She's not. She's spoiled to death. Obviously."

On Andy Warhol in Vice magazine: "I shouldn't say this, but physically he was quite repulsive."

On Adele in Paris Metro: "The thing at the moment is Adele. She is a little too fat, but she has a beautiful face and a divine voice." He later clarified his comments to CNN: "I never said that she was fat, I said that she was a little roundish; a little roundish is not fat. But for such a beautiful girl, after that she lost eight kilo so I think the message was not that bad."

On the Duchess of Cambridge and Pippa Middleton in The Sun: "Kate Middleton has a nice silhouette and she is the right girl for that boy. I like that kind of woman, I like romantic beauties. On the other hand, the sister struggles. I don't like the sister's face. She should only show her back."

On Heidi Klum in GQ Germany: "I don't know Heidi Klum. She was never known in France. Claudia Schiffer also doesn't know who she is."

On Diana, Princess of Wales, in New York magazine: "She was pretty and she was sweet, but she was stupid."

Karl is applauded by Claudia Schiffer and Naomi Campbell at the end of the Chanel 1997 collection presented in Paris

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