| 6.6°C Belfast

Album reviews: From McFly to Tim Minchin

 

Close

McFly's new album Young dumb thrills

McFly's new album Young dumb thrills

Press Association Images

McFly's new album Young dumb thrills

McFly

Young dumb thrills

A new McFly album is just what we need to brighten the gloom of 2020, a year largely devoid of the chance to have any thrills at all.

Since the likeable band formed in 2003, their popularity has been cemented by appearances on Strictly, I'm A Celebrity and The Voice Kids UK. They seem to enjoy what they do and that enthusiasm is contagious. The big singalong singles Happiness and Tonight Is The Night are the standout tracks from their sixth studio album.

Another Song About Love is not the ballad people might expect from the title but a jaunty tune about songwriting, and You're Not Special may sound like it should be angry and bleak but it's another catchy track.

The lively pace slows a little for the reflective Sink Or Sing and the romantic Like I Can, while Young Dumb Thrills (featuring Rat Boy) is a bit more raucous.

Growing Up (featuring Blink-182's Mark Hoppus) reflects that the band may be getting a bit older but they thankfully don't feel the need to grow up just yet, while warm closing track Not The End brings a much needed party atmosphere to 2020.

8/10 Review by Beverley Rouse

Kevin Godley

Muscle Memory

At 75, Kevin Godley has done it all, from huge success with 10cc to pioneering work directing videos and inventing a virtual music studio.

Now comes a debut solo album, although that hardly tells the full story, as Muscle Memory is a crowdsourced record.

Godley received 286 instrumentals after posting an invitation on PledgeMusic - "Write and record with me" - in 2017.

The site went bankrupt last year, delaying the project, but with the submissions whittled down to 11, the album is being released with a new track every fortnight.

Opener Expecting A Message starts with a tortured synth before the beats kick in, sounding more like New Order than the art rock of 10cc's early Seventies heyday.

The Ghosts Of The Living is a gentle acoustic ballad, while Periscope is a highlight. The heavy-handed anti-gun The Big Bang Theory is a rare misfire, but Song Of Hate, written with Gotye, manages to sound sunny despite some bleak lyrics.

The album's themes include racism and societal unrest, and it is highly political and much darker than you'd expect from Godley's previous work. Muscle Memory also sounds cohesive despite its highly collaborative concept, and shows a man who first recorded an album half a century ago looking firmly to the future.

7/10 Matthew George

Tim Minchin

Apart together

Apart Together is a nothing short of musical masterpiece.

Tim Minchin has successfully blown away any walls that threatened to typecast him.

This is an album filled with both serious power ballads, with a mix of heartbreaking realism and a tiny squint of optimism, and joyous snapshots reminiscent of his comedy tours.

Opener Summer Romance is a soaring declaration of modern love and true lyrical poetry.

This is followed by Apart Together, the tale of a couple found frozen to death.

Although it isn't necessarily what you would expect as song material, it is an effective commentary on the lack of community and economic social structure.

It is refreshing to hear such a lyrically driven album that is so well enunciated and where each phonic has a clear home. Apart Together is both simple and anthemic. A pure joy to listen to.

10/10 Rachel Howdle

Emiko Suzuki

After All

When 21-year-old Emiko Suzuki became the latest up-and-comer to be signed by Japanese entertainment giant Avex Entertainment, she found herself label mates with the likes of K-pop mainstays Blackpink, Big Band and Exo.

Yet her first offering, an EP of five tracks, veers away from the South Korean genre's ultra-popular melange of rap and modish pop sounds.

Suzuki offers something quite different - a bombastic, dynamic collection that draws from her career in musical theatre.

Before the pandemic put paid to it, Suzuki was starring in Japan's first production of Andrew Lloyd Webber's Whistle Down The Wind at the famed Nissay Theatre in Tokyo.

After All and Back Home both nod towards Lady Gaga in full A Star Is Born mode, while Hail! Mr Happy Days is a tribute to Suzuki's childhood spent performing Japanese gospel.

There's a certain dynamism to her voice that allows it to shift effortlessly from vaudevillian vamp to vocal runs Ariana Grande would gasp at, and After All is a fine blueprint for whatever comes next.

7/10 Alex Green

Belfast Telegraph


Privacy