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Italy’s Uffizi marks 700th anniversary of Dante’s death with virtual exhibition

The gallery in Florence is making 88 rarely displayed drawings by Federico Zuccari to illustrate the poet’s Divine Comedy available to view online.

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Caronte, one of 88 drawings by artist Federico Zuccari to illustrate Dante’s Divine Comedy (Roberto Palermo/Uffizi Gallery/AP)

Caronte, one of 88 drawings by artist Federico Zuccari to illustrate Dante’s Divine Comedy (Roberto Palermo/Uffizi Gallery/AP)

Caronte, one of 88 drawings by artist Federico Zuccari to illustrate Dante’s Divine Comedy (Roberto Palermo/Uffizi Gallery/AP)

Florence’s Uffizi Gallery is making 88 rarely displayed drawings of Dante’s Divine Comedy available for viewing online to mark the 700th anniversary in 2021 of the Italian poet’s death.

The virtual exhibition of high-resolution images of works by 16th century Renaissance artist Federico Zuccari will be accessible from Friday “for free, any hour of the day, for everyone”, said Uffizi director Eike Schmidt.

The drawings illustrate Dante’s masterpiece The Divine Comedy, an epic poem in three parts recounting a pilgrim’s travels through hell, purgatory and heaven.

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Lucifer, one of 88 drawings by Federico Zuccari to illustrate Dante Alighieri’s Divine Comedy (Roberto Palermo/Uffizi Gallery/AP)

Lucifer, one of 88 drawings by Federico Zuccari to illustrate Dante Alighieri’s Divine Comedy (Roberto Palermo/Uffizi Gallery/AP)

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Lucifer, one of 88 drawings by Federico Zuccari to illustrate Dante Alighieri’s Divine Comedy (Roberto Palermo/Uffizi Gallery/AP)

Dante Alighieri is revered as the father of the Italian language. A Tuscan by birth, he died and was buried in the city of Ravenna, a three-time ancient capital located in the region of Emilia-Romagna.

The pencil-and-ink drawings are in contrasting shades of black and red. They were completed during Zuccari’s stay in Spain from 1586 to 1588, and became part of the Uffizi collection in 1738.

The drawings have only been publicly displayed twice previously, and then only a selection, owing to their fragility – in Florence in 1865 to mark the 600th anniversary of Dante’s birth and coinciding with Italy’s unification as a nation, and for a specialised exhibition about Dante in Abruzzo in 1993.

The drawings were originally bound in a volume, with each illustration opposite the corresponding verse in Dante’s epic poem.

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Ulisse and Diomede, the fraudulent advisers, from Dante’s Divine Comedy, drawn by Renaissance artist Federico Zuccari (Roberto Palermo/Uffizi Gallery/AP)

Ulisse and Diomede, the fraudulent advisers, from Dante’s Divine Comedy, drawn by Renaissance artist Federico Zuccari (Roberto Palermo/Uffizi Gallery/AP)

AP

Ulisse and Diomede, the fraudulent advisers, from Dante’s Divine Comedy, drawn by Renaissance artist Federico Zuccari (Roberto Palermo/Uffizi Gallery/AP)

The texts and scholarly comment will also be included in the virtual show, titled A Riveder Le Stelle (“To see the stars again”), a reference to the celebrated last line of Dante’s Inferno.

Schmidt said the drawings are a “great resource” for Dante scholars and students, as well as “anyone who likes to be inspired by Dante’s pursuit of knowledge and virtue”.

PA


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